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HomeMy WebLinkAboutMINUTES - 09211999 - P1 1 THE BOARD OF SUPERVISORS OF CONTRA COSTA COUNTY, STATE OF CALIFORNIA In the Matter of Honoring the BLUE DEVILS ON THEIR ) TENTH WORLD ) RESOLUTION NO. 99/453 CHAMPIONSHIP ) WHEREAS, THE BLUE DEVILS organization has served over 5,000 youth since its founding in 1957; and WHEREAS, THE BLUE DEVILS offer a learning and performance experience through nine programs for young people, ages four to twenty-one, teaching them the value of competitive excellence through the discipline of the arts; and WHEREAS, THE BLUE DEVILS are the most decorated drum and bugle cords in the Drum Corps International twenty-eight year history, holding four more World Championship titles than their closest competitors; and WHEREAS, THE BLUE DEVILS Drum & Bugle Corps have captured a history making tenth World Championship award; NOW, THEREFORE, BE IT RESOLVED that the Board of Supervisors honors THE BLUE DEVILS on their 10ih World Championship and wishes them continued success. PASSED AND ADOPTED ON September 21, 1999, by a unanimous vote of the Board members present. Mark DeSaulni John G is B. Ji Don erber e Canciamilla, Chair I hereby certify that the foregoing is a true and correct copy of an order entered on the Minutes of said Board of Supervisors on the aforesaid date. Witness my hand and the Seal of the Board of Supervisors affixed this 21st day of September, 1999. PHIL BATCHELOR, Clerk of the Board of Supervisors and County Administrator. By Deputy Clerk Introduced by Supervisor Mark DeSaulnier, District IV 0 816,AW - r O 0) .F. Qj b4 cJ) a X > > V w — O vi i 1 .0 vpi pp O N O� O G. +' O L L- E OL +, O 01 O O O O 00 C � C � *' �" � •� 001 � 01 t'3 O � tIO O Ln C „w O Gp i O — CL O O r0a. - '. 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G'. u w � w ^..'� .., .:.,�.i,�.-�' ,+ ;'�..:,, p* °k.z•,,,.. ,x,,,�� *5 ,,„ ear.... ,::„ � v `, +._:'E v �:3 ,k `� sip x, t ��..�� ,��G`y'�F �t �"�^ ��kyF�'. ���.,�«�"�, t,; � � a a• e,,x=�� �i��.� 3 a �t`�`p e.# nF}+ 1 '`� �5 e a Musical discovery has always had a cross-cultural impact.The Bl Ue D geographical migration of bask M dance rhythms throughout the . 1999 world unfolds into an exciting, ` everlasting family tree of music and motion. From the primitive foundations of tribal communication to the celebration of American jazz `iR h t hir. with it's jubilant swing era, . . • a t the edge ®�+ t� �, RHYTHMS...at the edge of L time is a production that "It is tempting to be almost mystical about rhythm, crosses the great historical as time after time the uses, absences, withdrawals and cultural divide. Just as and distortions of rhythm are observed to affect the evolution of percussive 1 profoundly the ways of everything from men to rhythms offered influence atoms. Rhythm is the great organizer."The legendary one on the other, the Blue choreographer Doris Humphrey offered this insight Devils present a program into the most basic driving force of music and dance. of contemporary music With every harmony, drill move, rifle toss or cymbal that takes flight on the crash, rhythm is the foundation on which every drum wings of this incredible musical journey.Through the and bugle corps performance is built. In a celebration simplicity of an elemental rhythmic pattern, each of pure expressive power, the Blue Devils present production expands into a musical fabric of influence, their 1999 production;RHYTHMS...at the edge of time. character and color. The program opens with primitive Afrocuban rhythms and follows these rhythms to the Malarbo from Alberta Ginastera's ballet Estancia'. A change of rhythm introduced by the color guard leads to the second production, Powerhouse, Rhumba for Orchestra by Graeme Koehae. A quick change in rhythmic interpretation and velocity *ves Ahe ensemble to a Samba. The nest production is a classic Blue Devil lnterpretatlon of the most well known of the Latin rhythms, the tango. adios Nonino by Astor Piazzolla sets the mood— Rhythm #1 Afrocuban/Malambo sensual, seductive; passionate. Another change in from Estancia by Alberto Ginastera r 'ythm leads toGraeme;Koehne's Unchained Melody best described as ,jazz—funky, quirky, modern jazz, Rhythm #2 Rhumba This journey through rhythm culminates in American from Powerhouse, Rhumba for Orchestra by Graeme Koehne Swing. Fast, fun, and always popular, it's a rhythm Rhythm #3 Samba whose roots are elemental and whose appeal is from Powerhouse, Rhumba for Orchestra by Graeme Koehn,e international. A rhythm not in isolation,but part of a Rhythm #4 Tango continuum of expression from the original Afrocuban from Adios Nonino by Astor Piazolla beat, through variations in Malambo, Rhumba, Samba, Tango, and Jazz. Rhythm #5 Jazz The 1999 Blue Devils present the joy of expression, a from Unchained Melody by Graeme Koehtre dance to the'rhythms,RHYTHMS at the edge of time. Rhythm #6 Swing from Dirty Boogie by Brian Setzer Blue Fiistery The Blue Devils' mission is to offer young people a quality educational and performance The Blue Devils were founded in 1957 by Ann experience in the area of performing arts. & Tony Odello. During the late 1950's and 1960's, the Blue Devils consisted of several Drum & Bell Corps and Twirling Corps. The Blue Devils Drum & Bugle Corps was created in the fall of 1970 by Jerry Seawright with a nucleus of percussion and color guard members from the existing Drum & Bell Corps. The Blue Devils toured on a National -, level for the first time in 1973 and gained Associate membership in Drum Corps International by placing 23rd at the DCI Championships in Whitewater, WI. In 1974 the Corps earned a full DCI membership by their 9th place finish at the DCI Championships in Apart from their competitive performances, the Blue Ithaca, NY. In 1975 the Corps placed 3rd, and in Devils offer international travel experiences to their 1976 won their first Drum Corps International members. The educational and cultural experience of Championship. Since 1975 the Blue Devils have international travel is a very important part of the never placed out of the top five at the DCI Blue Devils organization. In 1983 the Blue Devils Championships and have won the DCI World attended the 21st Century Celebration in Osaka, Championship title in 1976, 1977, 1979, 1980, 1982, Japan.Teams from the Blue Devils Twirling programs 1986, 1994, 1996 and 1997. Along with the DCI have traveled to Tokyo,Japan in 1982,Milan,Italy in Championships, the Blue Devils Winter Guard won 1983 (gold medal Team winners), Calgary, Canada in four back-to-back Winter Guard International 1984(gold medal Team winners),Turin, Italy in 1986 Championship in 1995, 1996 (with a record score of and Lyon,France in 1998.The Percussion section was 99.45), 1997, and 1998. featured in 1988 as the centerpiece of a week-long Today the Blue Devils organization encompasses a schedule of performances at Japan Greenland. In the wide spectrum of programs. The Blue Devils family spring of 1988,the Blue Devils Winter Guard traveled includes the A, B, & C Drum & Bugle Corps, three to the Netherlands for clinics and performances. In Winter Guard Programs and a world- class Twirling 1992 the 'A' Corps traveled to Nice, France for Program. In addition, the Blue Devils offer a Music "Carnaval," and the Netherlands for clinics and School for children aged four to nine and a Wind Performances. They also went to Japan in the fall of Symphony with 60 participants. Over 500 young 1996 for a ten-day tour that included the field show, people, ages seven to twenty-one, are currently Parades and indoor theatre performances, as well as members of the Blue Devils performing units. Over clinics. 1998 marked The Blue Devils Organization's 5,000 young people, in 1,500 families, have been return to Japan through a six day tour by The Blue served by the Blue Devils organization in its Devil 'B' Corps. 42-year history. The Blue Devils have provided unique opportunities to their fans and members by offering performances and clinics with great artists in the musical world. The Blue Devils have been featured in concert with VVI Maynard Ferguson, Bobby Shew, Chuck M.angione, Stan Kenton and Buddy Rich. Clinics sponsored , H by the Blue Devils have featured Ralph:Humphrey, Dave Weckl, Steve Houghton, Peter Erskine, Bob ¢ Montgomery, David Garibaldi and many others. Musical selections from these great bands and artists , have been highlights of Blue Devils' repertoires over the years. s Nomm Yamaha Presents The Blue Devils On-Stage In Association with Drum Corps International For over 25 years, the talented members, creators and instructors of the Blue Devils Drum & Bugle Corps jazz). . . have entertained audiences the world over. Their man i n the moon commanding field show performances, parades and standstill concerts have set standards of excellence that have rarely been matched. Part Moonstreets Champions for three decades, the Someone's There Blue Devils continue to explore Danger Snare and expand their art form. The Blue The Good Professor Devils On Stage is a unique theater Love the Blues production that showcases the Part 2 MooncraZy versatility of their young people Loco and staff. The Mad Pack During the 1996 tour of Japan, the II Call of the Wild Blue Devils were required to recreate I Part 3 Mooncycle their outdoor field show for an indoor Moonstruck venue.Thus,the first Blue Devil indoor l The Legend theater performance was born. It was Discovery Bay an enlightening experiences that both Thunderdrumexposed audiences to a nem corps Finale medium, and stretched the ima tion of the Blue Devils' show designee; For all performers,the act of communicating an idea to With an opportunity to entertain and perform in an audience is a cherished and honored state of mind. intimate theater environment, the 1997 Blue Devijs For every performer, young or old, the chance to presented Exhaltation. Created with wit and humor, entertain and exercise the imagination is as much a Exhaltation told the story of a lost explorer in a requirement for living as breath itself. [Jazz] Man in dangerous land in search of the ever elusive Contra l f the Moon is a gathering of members from the Blue Bass. While introducing the different sections of Devils drum and bugle corps of the past and the the corps to the theater environment, Exhaltation present.They come together in this unique production combined the intimacy of the theater with the power ; to celebrate the medium in which they have trained and exhilaration of field performances. ,x r and excelled—the horn, the drum, and the dance. 1998 saw an expansion of performance opportunities. , The man in the moon,an ever present mystery, shines Exubero was created, utilizing the story line from down on the cycles of lifetime after lifetime.Who knew 1997 and introducing completely new musical and a. j� the driving force of our cities,minds and oceans was in dance productions. Exubero was performed in Denver, ? t' z r actuality...a jazzman?Join the Blue Devils as breakneck San Antonio,and Ypsilanti to sold out theaters and in I percussion and audacious bugles meet with the joy of Orlando to a full capacity audience at Disney's i' color guard to present an offering of talent and grace. EPCOT American Amphitheater. Extremely well received by drum corps *, I and non-drum corps audiences alike,the indoor theater presentations have found a permanent place in the repertoire of the Blue Devils. Always reaching into the future with new and innovative ways to perform and entertain, The Blue Devils hope you enjoy the 1999 edition of The Blue Devils On Stage as they present [Jazz] Man in the Moon. Brass Color Guard Alto Jessica Allen 1998,1999 Jason Diehl 1999 Jesse Apperson 1997,1998,1999* Andy Hudock 1998,1999 Rebecca Bergmann 1993,1994,1998,1999* Donald Lawrence 1999 Anca Botez 1998,1999 Keiji Otaki 1999 Carlos Bracho 1999* Amy Poulsen 1998,1999* Oscar Brusse 1996,1997,1998,1999 Saren Richardson 1999 Jennifer Byers 1997,1998,1999 Humberto Scanio 1999* Darrell Clark 1998,1999* Beck Schultz 1999 Y Esequiel Cortez 1999 Jeremy Serkin 1999 Color Guard Captain Jason Stacey 1995,1997,1999* Katherine Edwards 1996,1997,1998,1999* Lynda Wilkins 1999 Jason Foster 1998,1999 XII Baritone Brian Horan 1999 Tomomi Asao 1998,1999* Robby Jacobson 1998,1999* R, Masahiro Ka iwara 1999 s Barbara Bee 1999 J Etienne Bordeleau 1999 Kelly Kirkpatrick 1996,1997,1998,1999 Charles Carter 1999 RyanKlassa 1999 Josh Chapman 1999 Vicky Martinez 1997,1998,1999* B John Elrod 1998,1999 Kelly McCoy 1999 lue Matthew Hanzelka 1999 John Morris 1998,1999* Jared Huddleston 1996,1997,1998, Charlotte Morrow 1999 1999 Victor Reyes 1998,1999 Devils John Lack 1999* Jose Rincon 1999 Edward Levindofske 1997,1999* Jamie Roscoe 1997,1998,1999 Eric Lozaga 1998,1999 Deborah Seeley 1998,1999 1999 Staff Dawn Mackiewicz 1997,1998,1999* Beth Sparrow 1999 James Plunkett 1999 Radiah Stewart 1997,1998,1999* Executive Director Ryan Riggs 1997,1999 Carey Strand 1998,1999 David Gibbs Sean Ross 1992,1993,1994,1995, Rosanna Terracciano 1998,1999* Corps Director 1996,1997,1998,1999* Jessie Thompson 1998,1999 Pete Emrttaris" Jason Roth 1999 Francisco Torres 1999 Koji Sato 1998,1999 Kenyon Toy 1998,1999 Pro��tm Coordinator Christopher Stratton 1998,1999 a Ramiro Barrera p Chris Velez 1998,1999 Villar 1997,1998,1999 'Visual Staff Chris Wallace 1999* JJ Jay Murphy Contra Kathleen Wheeler 1999 Todd Ryan Shawn Carpenter 1998,1999* Kimani Williams 1998,1999 Ron Hardin Chris Chinn 1999 Karelin Wright 1999 Bob Medworth Joshua Hatton 1999 Ken Karlin Jeffrey Jensen 1997,1998,1999* Percussion Jamie Holly Scott Jensen 1998,1999 Bass Charlie Iwanaga Mark LeGault 1998,1999 Ben Bechtel 1999 John Freeman Thomas Lukowicz 1997,1998,1999* Omar Green 1998,1999 Satoshi Moromi 1998,1999* Joshua Pinney 1998,1999 Brass Staff Devin Otto 1999 Michael Sanchez 1995, Wayne Downey 1996,1997,1998,1999* Gino Cipriani Soprano Troy Thaemert 1999 John Meehan Neil Adkison 1998,1999 Steve Bentley Chris Ashby 1998,1999 Pit Jeremy DuBois 1999* Stefanie Cheng 1998,1999 Percussion Staff Brad Eugenio 1998,1999 Rika Chibana 1997,1998,1999* Scott Johnson Dan Fallon 1998,1999 Benjamin Handel 1999 Dave Glyde George Franzini 1998 1999 Vincent Lett 1999 Jeff Lee y Gardner 1994,199 1997, Robert Lopez 1999"k 499 Roger Carter 4 Seat.Ve a 1999* Koko Usui 199 y999 g Mint GOMS 199,X997,19 1999* Ch11to r , �ro1�,,C999$;1999 for Guard Staffinerrt ,} nM a ranbos 1999 W Scott Chandler 'Bratidoai, F b Jerl Zenurii 1999 T.J.Doucette Michal Lisowyji� Sn Adrian Bazua Jeff Lynn 199&1'` iv.� Casados 9* �x � � a 4 David Meikle Charles Mil $ X997 199hy ,° ° } Aionio Pa 1 9 y * � v- Drum M a J ®r ��' � - �.�a,� �r ,��rf� 4 d Scott Atchison 1997,1998,1999* Chir Raitli 99 Geoffrey Christopherson Brad Reaves 1 9 I K 98"tl 1995,1996,1997,1998,1999* Steve Rhib 199A as P 999 Keith Robinson° 1998, Stan 1999* ° N Brian Weber 1999 ' r �� C 1998, Cw Y i Freitas 1998,1999* ' axcia 1997,1998,1999 y ° *Age-outs h Rhythirs . . . at the edge of time June 19 '' Concord, CAi June 24 July 19ra. ' k Normal, IL Wichita, KS4r July 2 July 20 i a Bakersfield, CA Tulsa, OK July 3 July 23 Riverside, CA Dallas, TX t t"wj i^ ys Mw'x July 4 July 25 Costa Mesa, CA San Antonio, TX t July 9 July 29 � Stockton, CA Tupelo, MS July 10 July 30 San Jose, CA Murfreesboro, TN July 13 August 1 Boise, ID Charlotte, NC July 14 August 2 Logan, UT Huntington, WV jazz}. . . July 17 August 3 man in the moon .� Denver, CO Centerville, OH �• CD �D y August 7 J23thCD � ," "t` Allentown, PA June Q7 � BOA Symposium CA Madison, WI Normal, IL CD August 12 June 25th p wh , DCI Quarterfinals Carmel High School CO August 13 Indianapolis, IN MOON DCI Semifinals June 26th y August 14 Northwestern University Chicago/Evanston' IL d ' DCI World y 4h June 27th Championships Performing Arts Center Cincinnati/Fairfield, OH �p July 3rd �u Riverside Community College Riverside, CA isur?}}f 4 3Q k July 16th Cherry Hills Community Church Denver, CO ve nd' a rmation please contact: July 26th San Antonio Convention Center San Antonio, TX x 94520. o G89-0384. ItIY k t P-. rYKy". mrtr-N n - s gram Book til Editor David Gibbs mgraphic Design Laura Johnston 'c Design Mike Esperanza andler,Jay Murphy,Pete Emmons,Shirley Dorritie The id Unser r i 'I 9 I y � A C O M M I T M E N T T O Y O U T H iapisul JDIsod aivannos OZSb6 dJ 'pJo:)uoD VD 'pao:)uoD anuany uoslaN 590V 66Z 'ON I!Wlad smeaenl8aul aivd 3Db1SOd 's'n 'Sap }road-uoN Lai 6- G) bio ' � � •N duj m L+•' CC04 -0 Cl) b4 u N -0 Cm C H cu C aN'> ++ C C -6 -6 CC + � N %4.- = CO w `~ W CC -0 OOmE t; E O N O E h �E C E E L v > � O m o � OOiLU N� O OC � O a O N o o O OL C c� cp o t -a 4-0 CU mm t!fu L �- c d N fp v '�p N .� o `�° > a) N •f =00 a E E > c N Y c �' x -0 w c •`° o N O N > 4? L 'vf 'j O O ou +, .� L4 'r+p rp E b4 C u 0 cu '� O N 'O '� .0 'C .N O O d '� O w Cl. 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